Sound Art
Experimental Music
Field Recording
SOUND ART
An Ear to the Wild - Six permanent sound installations at the Al Heffayeh Wildlife Centre, Kalba Mountains, Sharjah, as Bradley-Weaver
Tahmineh's Fancy
Hand activated piece, silent until a hand is held overhead, Tahmineh's Fancy examining female desire. Composed of copper telephone cable, red suede, cotton and ribbon and electronics.
Exhibited as part of the Gone With the Wind exhibition, at Raven Row, London 2010, and Contemporary Shahnameh at the Prince's Foundation, Shoreditch, London 2010.
Tahmineh's Fancy
Hand activated piece, silent until a hand is held overhead, Tahmineh's Fancy examining female desire. Composed of copper telephone cable, red suede, cotton and ribbon and electronics.
Exhibited as part of the Gone With the Wind exhibition, at Raven Row, London 2010, and Contemporary Shahnameh at the Prince's Foundation, Shoreditch, London 2010.
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Tahmineh's Fancy, 2010. Copper telephone cable, red suede, cotton and ribbon. Electronics.
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Tahmineh's Fancy from Fari Bradley
Experimental Music
Systems for a Score, Vinyl Factory artist's limited edition record, made live in the gallery space in collaborations with local musicians and artists, in the below recording studio (A Model Studio) built by the artists.
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| A Bow for Your Harp, 2015. Sculpted and Dyed Acacia Wood, Guitar Strings, Pegs. |
Field Recording
Close to Karachi - A month's residency at Habib University, Karachi, Pakistan with Lahore Biennial Foundation.Talks at London College of Communication, the Stuart Hall Library (Iniva) and American University in Dubai.
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| Photo: Fari Bradley, Karachi 2015 |
And on air, on digital and online at Resonance104.4fm, UK: A Karachi Phonology
